As a theater maker, my work sits between interpretation and authorship, new writing and classicism. I focus equally on emotional realism and formal experimentation. My work draws on the severity of postwar performance, the psychological depth of American realism, and the structure of classical theater. However, I am most interested in how form emerges through process.

I frequently work with questions of collective responsibility and the relationship between personal and social change, and use mythological and heightened storytelling to explore these themes.

Recent projects include moments After Aias, an adaptation of Sophocles which premiered at JACK in summer 2026 and previously received a public reading at the Brooklyn Center for Theater Research; Ellen McLaughlin's The Oresteia for Theatre for a New Audience's studio program; Uncle Vanya at the self-produced 3xChekhov Festival during COVID; The Yellow Wallpaper at IRT and Dixon Place; and Miss Julie at Access Theater. I have also workshopped new plays and regularly give dramaturgical feedback to writers in process.

As an associate and assistant director, I have worked with directors such as Arin Arbus, Ivo van Hove, and Max Stafford-Clark, among others. Credits include: Network (starring Bryan Cranston) and Frankie and Johnny in the Clair de Lune (starring Audra McDonald and Michael Shannon), as well as multiple productions at Theatre for a New Audience, including The Winter's Tale, The Skin of Our Teeth, The Father, and A Doll's House.

Other theaters include: the Guthrie, Deutsches Theater Berlin, Theaterhaus Jena, Toneelgroep Amsterdam/Ruhrtriennale Festival, and Red Bull Theater. I was invited to participate in Theater for a New Audience's Director/Actor Project and their directing workshop with Peter Brook.

I hold an MA in Psychology from The New School and a BA in Theater Directing from Fordham University, and I trained at the London Dramatic Academy and the Royal Conservatoire of Scotland.

I am currently located between New York City and Berlin.